Heart of Whiteness (With No Apologies to Joseph Conrad)
At Wilson's Web site, you can see an Arab man's face sliced off and placed in a bowl filled with blood. Another man's head, his face crusted with dried blood and powder burns, lies on a bed of gravel. A man in a leather coat who apparently tried to run a military checkpoint lies slumped in the driver's seat of a car, his head obliterated by gunfire, the flaps of skin from his neck blooming open like rose petals. Six men in beige fatigues, identified as US Marines, laugh and smile for the camera while pointing at a burned, charcoal-black corpse lying at their feet.
The captions that accompany these images, which were apparently written by the soldiers who posted them, laugh and gloat over the bodies. The soldier who posted a picture of a corpse lying in a pool of his own brains and entrails wrote, "What every Iraqi should look like." The photograph of a corpse whose jaw has apparently rotted away, leaving a gaping set of upper teeth, bears the caption "bad day for this dude." One soldier posted three photographs of corpses lying in the street and titled his collection "DIE HAJI DIE." The soldiers take pride, even joy, in displaying the dead.
This could become a public-relations catastrophe. The Bush administration claims such sympathy for American war dead that officials have banned the media from photographing flag-draped coffins being carried off cargo planes. Government officials and American media officials have repeatedly denounced the al-Jazeera network for airing grisly footage of Iraqi war casualties and American prisoners of war. The legal fight over whether to release the remaining photographs of atrocities at Abu Ghraib has dragged on for months, with no less a figure than Chairman of the Joint Chiefs of Staff Richard Meyers arguing that the release of such images will inflame the Muslim world and drive untold numbers to join al-Qaeda. But none of these can compare to the prospect of American troops casually bartering pictures of suffering and death for porn.
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But for Chris Wilson, it's all in a day's work. "It's an unedited look at the war from their point of view," he says of the soldiers who contribute the images. "There's always going to be a slant from the news media. ... And this is a photo that comes straight from their camera to the site. To me, it's just a more real look at what's going on."
Wilson, a 27-year-old Web entrepreneur living in Florida, created the Web site a year ago, asked fans to contribute pictures of their wives and girlfriends, and posted footage and photographs bearing titles such as "wife working cock" and "ass fucking my wife on the stairs." The site was a big hit with soldiers stationed overseas; about a third of his customers, or more than fifty thousand people, work in the military. Wilson says soldiers began e-mailing him, thanking him for keeping up their morale and "bringing a little piece of the States to them." But other soldiers complained that they had problems buying memberships to his service. "They wanted to join the site, the amateur wife and girlfriend site," he says. "But they couldn't, because the addresses associated with their credit cards were Quackistan or something; they were in such a high-risk country that the credit card companies wouldn't approve the purchase."
That was when Wilson hit upon the idea of offering free memberships to soldiers. All they had to do was send a picture of life in Iraq or Afghanistan, and they'd get all the free porn they wanted. All sorts of images began appearing over the transom, but he dedicated a special site to view the most "gory" pictures. Asked what he feels upon viewing a new batch, Wilson says: "Personally, I don't look at it one way or another. It's newsworthy, and people can form their own opinions."
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Wilson's Web site has made the news before – but not for posting pictures of murdered people. Last October, the New York Post reported that the Pentagon was investigating him for posting naked pictures of female soldiers in Iraq. After a few months, the Post reported that the Pentagon had blocked soldiers in Iraq from accessing the Web site, which had posted five more pictures of nude female soldiers, some of whom had posed with machine guns and grenades. After the Post's stories, Wilson says, he was bombarded with requests for interviews from newspapers and radio stations. Even after he began posting photographs of corpses late last year, media inquiries focused exclusively on his nudie pics. It wasn't until reporters from the European press contacted him last week that anyone took notice of Wilson's snuff-for-porn arrangement with American troops.
"The soldiers thing, I think the Italians picked it up first," Wilson says. "I've done interviews with the Italians, the French, Amsterdam. ... They were very critical, saying the US wouldn't pick it up, because it's such a sore spot. ... It raises too many ethical questions. ... I started to laugh, because it's true."
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............ Roughly two hundred soldiers in Iraq and Afghanistan document their experiences in online "milblogs," and digital cameras are ubiquitous. No one can stop soldiers from posting pictures of eviscerated corpses for all to see, and no one should ever again be able to feign ignorance of war's human cost. Or so you'd think. Yet in the days since the European press uncovered the gore-for-porn story, not a single US print newspaper other than the Express has touched it.
Representatives from Amnesty International and Human Rights First even refused to comment, although both organizations ostensibly exist to condemn just this kind of practice. Perhaps no one wants to give Chris Wilson more publicity, or daily editors are too sensitive about being viewed as unpatriotic. Or perhaps the story is just too ugly to contemplate.
Americans have thousands of media outlets to choose from. But they still have to visit a porn site to see what this war has done to the bodies of the dead and the souls of the living. One of the pictures on Wilson's site depicts a woman whose right leg has been torn off by a land mine, and a medical worker is holding the mangled stump up to the camera. The woman's vagina is visible under the hem of her skirt. The caption for this picture reads: "Nice puss -– bad foot."
("War Pornography," eastbayexpress.com, Sep. 21, 2005).
And some commentary from Karl Marx, The Civil War in France:
The civilization and justice of bourgeois order comes out in its lurid light whenever the slaves and drudges of that order rise against their masters. Then this civilization and justice stand forth as undisguised savagery and lawless revenge. Each new crisis in the class struggle between the appropriator and the producer brings out this fact more glaringly. Even the atrocities of the bourgeois in June 1848 vanish before the infamy of 1871. The self-sacrificing heroism with which the population of Paris — men, women, and children — fought for eight days after the entrance of the Versaillese, reflects as much the grandeur of their cause, as the infernal deeds of the soldiery reflect the innate spirit of that civilization, indeed, the great problem of which is how to get rid of the heaps of corpses it made after the battle was over!
In all its bloody triumphs over the self-sacrificing champions of a new and better society, that nefarious civilization, based upon the enslavement of labor, drowns the moans of its victims in a hue-and-cry of calumny, reverberated by a world-wide echo. The serene working men's Paris of the Commune is suddenly changed into a pandemonium by the bloodhounds of "order."
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